New wave film
(चलचित्रमा नौलो धार, नवधार, नौलो धारा)
Nauvalle vague
(नोभाल् भाग्)
Origin from France after watching neo realism films by:
Alexander Astruc
Auteur theory (in French)(अचियर्स थ्योरी)
Author’s theory (in English) (अथर्स थ्योरी)
Camera – stylo (क्यामरा स्टैलो)
Camera – pen (क्यामरा पेन)
Andre Bezin (अन्द्रे बाजी) – film critic
Cahiers du cinema (film journal)
Claude Chabrol (क्लड स्यब्रोल)
Francis Truffaut (फ्रास्वाँ त्रुफो) – 400 blows (1959)
Allen Resnais (एलेन रेने) – Hiroshima, Mon amour (1959)
Jean Luc Godard (जँ ल्युक गोदार्ड) – Breathless (1959)
Suitable characters were casted in these films
Studios were not used. Real locations were used as far as possible.
No extravagant lights or sounds.
Grammar has been breached.
Continuity, screen direction, rule of third, etc. were not used.
Jump editing was used. Yet no jerk was felt.
Hand held shots, small crew members, small equipment
(चलचित्रमा नौलो धार, नवधार, नौलो धारा)
Nauvalle vague
(नोभाल् भाग्)
Origin from France after watching neo realism films by:
Alexander Astruc
Auteur theory (in French)(अचियर्स थ्योरी)
Author’s theory (in English) (अथर्स थ्योरी)
Camera – stylo (क्यामरा स्टैलो)
Camera – pen (क्यामरा पेन)
Andre Bezin (अन्द्रे बाजी) – film critic
Cahiers du cinema (film journal)
Claude Chabrol (क्लड स्यब्रोल)
Francis Truffaut (फ्रास्वाँ त्रुफो) – 400 blows (1959)
Allen Resnais (एलेन रेने) – Hiroshima, Mon amour (1959)
Jean Luc Godard (जँ ल्युक गोदार्ड) – Breathless (1959)
Suitable characters were casted in these films
Studios were not used. Real locations were used as far as possible.
No extravagant lights or sounds.
Grammar has been breached.
Continuity, screen direction, rule of third, etc. were not used.
Jump editing was used. Yet no jerk was felt.
Hand held shots, small crew members, small equipment
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